When I created "Inside", I wanted to strip a character down to his most essential instincts. By placing an art thief alone inside a luxurious penthouse that becomes a prison, I explored what happens when sophistication collapses into raw survival. The space itself transforms over time, reflecting his physical and psychological deterioration. I was fascinated by the contrast between art as a symbol of value and the basic human need to endure. The film ultimately suggests that identity, culture, and status are fragile layers—when they fall away, what remains is the primal struggle to survive and the unsettling question of who we are without our surroundings.